The first time I met her was working on friend Shanel Regier's fashion show years ago. I could tell she had an impeccable work ethic, not above any menial task, nor below any strategizing. She seemed serious. And humble. Dead ringer for Rachel Weisz, if you ask me. She articulates well her ideas but is not a "theorist." She rolls up her sleeves, gets down to the nitty gritty and accomplishes what she sets out to do. She does not talk about the talk about the talk, like most; she is a do-er. And it's rarely about her.
Her spontaneity in saying 'yes' took us to my old stomping grounds - Old Town, Chicago. When I worked here many moons ago, I remember
When my husband and buddy Chris suggested we take this drop-in class, I of course thought with an amenable ease, "Improv? Hysterical. Why not?" But driving down and now a few blocks away, Jean and I started to get anxious. We parked across the street at Treasure Island and walked to Second City's Training Center in Piper's Alley. Headed to class on the 4th floor, we met up with 15 other students from all different levels in acting. Our teacher Joe had us stand in a circle for our first warmup. It was called "Shootout." We learned
We did three-line exercises between two people which focused on the starts of scenes and dialogue guidelines. And everyone had to do these exercises. We formed two lines, performed our scene, then switch to the opposite line so we had turns starting and reacting to the dialogues. The rules were to avoid questions and avoid focusing
Joe then added components to develop comfort level, reacting to environment, using emotion and reacting to your partner in a follow-up exercise called "Exploring the Silence." We continued with the formula of three-line exercises but were given an environment...bank, Starbucks, zoo, etc. We acted in silence for 30 seconds, being aware of our partner's actions and expressions. We found that we fed off each other to help shape the scene
Another exercise was called "What Are You Doing?" This was quick-paced and gave us practice in being physical and speaking without worrying if we made sense. First person would start with an activity -- taking a shower, sweeping, roller skating, etc. The second person would ask at any time, "What Are You Doing?" First person would call out any activity OTHER than what s/he is doing, and the partner had to act it out. The next component added was that the activity had to start with the letters of the people next in line. For example, behind me were Terry and Mike, so my par
In debriefing with this room of strangers who quickly became friends, we learned that silence is golden. If we sat and listened, watched, fed off one another's energy, it can affect our reactions, thought and expression. We learned to follow our instincts, as well as step out of our comfort zone. We found people to be funny without being funny, or having a sense of humor when they are naturally serious.
Je
Couldn't have asked for a better partner to experience this with. Thanks, Jean.
Joe teaches at Second City and Columbia College. He is currently working on a project - writing a sketch every day for one year. This is based on his belief that there is no such thing as writer's block or not enough time to write. All 365 sketches will be produced June 3 thru June 10 at Strawdog Theater, Chicago. For more information, please visit, http://www.biteandsmile.blogspot.com/.
For more information on the class, please visit http://www.secondcity.com/.
This is such a wonderful project. I really admire you for taking it on! You seemed like you were having a lot of fun in the class!
ReplyDelete-Hailey Jones (long blonde hair girl in the black and white flannel.)